The Genesis of Michelangelo. I do not want to dwell too much. A friend pointed out to me a curiosity inherent in the painting. A closer look God, with its draped, angels, and legs that come out, seems to remember the human brain with all its derivatives. I think it was not even a case the color of the drapery. A fiery red passion, plot, instead of a blue ethereal, pure as the sky. Genesis man of God may be understood as the origin of man from himself, from his mind. This mind that seems to be an obsession throughout the history of philosophy and more. Zeus himself is said to have given birth to Athena, the wisdom, from the brain. Not being able to give birth from the belly. And the deity seen in the sun or the star of the moment, is nothing but an attribute meaning to things that may not have such a limit, which allows us to order the world. I do not think we should look in Genesis the rebel-proud man, or his awareness and detachment from the gods. I think the symbolism of the mind is a take note of a divine force is not outside man, but inside. In the bowels man. A jump to a new concept of divinity and implementation shown in the Church! It makes me smile! The meeting is also one of the naked body of Adam and the old body of God covered. As if to symbolize the importance of the contrasts, which in any case you are looking for. I hope it has been seen rather as the beginning of the abandonment of the meeting instead. Although in these days more and more we see a predominance of the body on what can be the soul or mind. If the woman gives birth bodies, the man gives birth to the mind. Create technologies that replace or expand human potential. In all fields. From the implant to walk, to software that calculate the infinite! Here, I'm thinking if they actually the mind is able to create with his strength even Adam's body as well as his brain! In the painting, Adam is lying on a rock on earth. God is in the air. And God seems to be trying to get closer to Adam and not the opposite! All the impressions that I take looking at the painting. Then you would also like to say that is not the man who seeks God, God who lives as humans. It constantly tries to bring enlightenment. A God that perhaps leaving the man on the ground to give him life as a father greets him, and as a father would still remain. No coincidence that the angels that surround God seem to pull away, while God is spread to humans. And the man at all slender, rather lazy, does not seem to be neither neglect nor troubled by an encounter. The age in which Michelangelo lived was a blossoming of hope and strength and life and rebirth entrusted to man. Young. Man. Thrown into the world, naked, but with God not only in heart but also in the head! He's just the man, in time, seek time, buried in the ancient consciousness, that the ultimate meaning behind her life. Michelangelo has fished through art, in the bowels of its existence. My impressions and asides are also wrong. Even the interpretation, without knowledge of the criticism that I and the painting of Michelangelo himself. But the symbolism is present. I wonder what he meant!
0 comments:
Post a Comment